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July 2026

A REFLECTION ON TATTOO CULTURE, CRAFTSMANSHIP, AND COLLABORATION

As an artist and founder of Bangkok-based creative collective Loco Mosquito, Ricky Madison seamlessly bridges the worlds of tattooing and fashion to construct a singular visual universe.

Discover a conversation on tattoo culture, the craft of collaboration, and reflections of his evolving journey.

AS THE FOUNDER OF LOCO MOSQUITO, YOU HAVE BUILT A CREATIVE COLLECTIVE AT THE INTERSECTION OF TATTOO CULTURE AND FASHION. HOW HAS THIS SHAPED YOUR APPROACH TO ART AND COLLABORATION?

Over time, it strengthens my belief that the creative approach of tattoos and clothing shares a lot of similarities. When creating artwork on the human body, tattoo artists work over rounded contours and curves, in between crevices and folds, adjusting to the body shape. This is the same thought process with clothing creation, with the same desired end-goal.

There's artwork pattern placement, seams, edges, and shapes to work around, to make sure it looks aesthetically pleasing on a 3-dimensional medium like the human body. We aim to tease out these similarities, creating one-of-a-kind textile patterns and unisex clothing by working closely in tandem with the world's best tattoo artists, translating their artwork into wearable pieces of collectible art.

HOW WOULD YOU DESCRIBE THE LOCO MOSQUITO AESTHETIC, AND YOUR OWN ARTISTIC STYLE, TO SOMEONE WHO HAS NEVER ENCOUNTERED YOUR WORK BEFORE?

Visually dynamic and authentic. 'Authentic' in the sense that we work closely with real living artists, still practicing their craft by hand, and as such the final design is never perfect and is susceptible to human imperfections. The brush strokes, the trials, the errors, the blemishes, the crowding details, the balanced compositions, all co-exist to present the most true and most 'authentic' version of the artwork itself. The artwork and the artists who create them always take center-stage, it's important that the end-product should be an extension of the artists' personality and story. That's what I believe gives it legitimate 'authenticity' and context and this is the main driving ethos in our work.

YOU'VE TRAVELED EXTENSIVELY AND LIVED IN DIFFERENT CORNERS OF THE WORLD THROUGHOUT YOUR CAREER. HOW HAVE THESE SHIFTING CULTURES INFLUENCED YOUR CRAFT?

In my mid-twenties, I started to gravitate towards Eastern culture, traveling to places like Nepal & India, and also looking introspectively into my heritage such as tribal Indonesian art from Borneo and Sumbawa. These are all stuff I found mundane as a kid, but later on I revisited it and was captivated by the visual language. The older you get, you start seeing things in a different light.

I moved to Bangkok 11 years ago and I love the energy of this city. It fosters Western creativity but also maintains its traditional Southeast Asian idiosyncrasies with religion, culture, and folk art. Our studio is a representation of this chaotic balance, a permanent reminder of our travel memories and inspirations.

Our studio is a representation of this chaotic balance, a permanent reminder of our travel memories and inspirations.

— Ricky Madison
ARE THERE ANY PARTICULAR ARTISTS YOU ARE INSPIRED BY WHO HAVE INFLUENCED YOUR WORK?

Guy Le Tatooer and Filip Leu. Both are artists I regard very highly as pioneers in the tattoo world. I admire their relentless conviction to experimentation, taking traditional elements and crafting new possibilities with it, always pushing the boundaries of what's possible in their craft.

IS THERE A SPECIFIC PROJECT, GARMENT, OR TATTOO YOU'VE CREATED THAT STANDS OUT AS YOUR ABSOLUTE FAVOURITE OR MOST MEMORABLE MILESTONE?

We did a special installation and exhibition project held in Mexico City in 2022 titled the "KIMONO BODYSUIT PROJECT", where we worked with 8 legendary tattoo artists, each presenting their own unique vision of a full bodysuit tattoo concept, presented as 8 lifesize paintings. The artwork on these paintings are fully tattooable designs for the body and these paintings are then translated into fully-printed kimonos as well, resulting in a wearable artistic object that resembles a fully-tattooed body and also as a decorative hanging art piece.

WHAT IS A COMMON MISCONCEPTION PEOPLE STILL HAVE ABOUT TATTOO CULTURE AND ITS COMMUNITY?

From the outside, the tattoo community may still be perceived negatively as unruly or for its 'rock & roll' lifestyle. But behind that perception, are real hardworking people who never wavered in what they believe in and the people I have met in tattooing are some of the most open-minded, kind-hearted, tolerant, supportive and generous people I've come across.

WHAT'S ONE PIECE OF ADVICE YOU'D GIVE YOUR YOUNGER SELF STARTING OUT?

Inspiration comes in all forms, it's important to be open-minded.

FOLLOW RICKY MADISON ON INSTAGRAM.

In Conversation: Guy Le Tatooer & Ricky Madison

Explore the creative world of Guy Le Tatooer and Ricky Madison, the collaborators behind the Reflections collection.